Originally built in the 1970s as the home and studio of potter Malcolm Wright — who spent a decade studying in Japan — the structure has been re-engaged rather than replaced, retaining its original footprint while undergoing sustained re-examination. Elements from its former life remain, most notably a sculptural column anchoring the central gathering space, but the project is defined by reinterpretation rather than preservation. The work thoughtfully, guided by the belief that tranquility is not inherited but constructed.